Me Before You
"A splash of yellow in a world of gray."
I’m convinced Emilia Clarke’s eyebrows deserve their own separate billing in the credits, perhaps even their own SAG card. They are remarkably expressive, twitching and arching with a life of their own, which is exactly what a movie like Me Before You needs to keep from sinking under the weight of its own terminal sadness. I first saw this film on a Tuesday afternoon while recovering from a particularly nasty bout of food poisoning—I was surviving entirely on flat ginger ale and dry toast—and somehow, the sheer earnestness of Lou Clark’s wardrobe made me feel like I might actually live to see Wednesday.
The Eyebrows and the Stoic
Released in 2016, Me Before You arrived at a curious crossroads in cinema history. We were deep into the "sad teen" boom sparked by The Fault in Our Stars, but this film felt different. It was aiming for something more adult, more "prestige," even if it occasionally dipped its toes into the sugary waters of a Nicholas Sparks adaptation.
The story follows Lou Clark, a girl who dresses like she raided a highlighter factory during a fever dream, as she takes a job as a companion for Will Traynor. Will, played by a broodingly handsome Sam Claflin, was once a high-flying London banker and adventurer until a motorcycle accident left him a quadriplegic. Now, he’s bitter, sequestered in a literal castle, and planning to end his life via Dignitas in six months. Lou’s mission, orchestrated by Will’s desperate mother (Janet McTeer), is to prove to him that life is still worth living.
The chemistry here is what saves the film from being a Hallmark-of-the-week special. Emilia Clarke sheds her Game of Thrones stoicism for a performance that is all heart and clumsy charm. She’s matched perfectly by Sam Claflin, who has the unenviable task of acting almost entirely with his eyes and voice. He manages to make Will’s arrogance feel like a defense mechanism rather than a character trait, making their eventual connection feel earned rather than forced by the screenplay.
A Pretty Castle with Ugly Questions
The film was directed by Thea Sharrock, a titan of the British stage who brought a certain restrained elegance to the production. Along with screenwriters Michael H. Weber and Scott Neustadter, Sharrock captures the lush, claustrophobic beauty of the English countryside. The production design is top-tier; the Traynor estate feels like a gilded cage, all cold stone and perfectly manicured gardens that mock Will’s inability to roam them.
However, we have to talk about the elephant in the room—the ending. In the current era of "representation matters," Me Before You remains a lightning rod for controversy. At the time of its release, disability rights activists staged protests, arguing that the film’s conclusion suggests a life with a disability isn't a life worth living. It’s a heavy conversation that the movie doesn't entirely have the tools to solve. It wants to be a sweeping romance, but it’s tethered to a very grim, real-world ethical debate.
I found myself torn. On one hand, the film is a masterclass in emotional manipulation (the good kind, where you know you're being played but you're having a nice time anyway). On the other, it feels a bit like it’s treating a massive systemic issue as a backdrop for a girl’s coming-of-age story. It’s a "prestige" tearjerker that occasionally forgets the weight of the tears it’s asking for.
The Last of a Dying Breed
Looking back from our current landscape of streaming-exclusive rom-coms, Me Before You feels like a relic of a time when studios still put $20 million into a mid-budget drama and sent it to theaters. And it worked—it pulled in over $200 million globally. It proved there was a massive, underserved audience for stories that weren't about superheroes, but about people sitting in a room, talking, and breaking each other's hearts.
The supporting cast adds a layer of British acting royalty that keeps things grounded. Charles Dance brings a quiet, pained dignity to Will’s father, while Brendan Coyle (of Downton Abbey fame) and Jenna Coleman provide a warm, relatable domesticity to Lou’s home life. Every time the movie threatens to float away into pure fantasy—like a trip to Mauritius that looks suspiciously like a perfume commercial—the grit of the Clark family’s financial struggles pulls it back down to earth.
Cool Details You Might Have Missed:
Director Thea Sharrock was the youngest ever artistic director in British theater history before making her film debut here, which explains the film's focus on intimate, performance-driven scenes. The film’s box office success was a massive win for New Line Cinema, proving that "BookTok" style enthusiasm (even before TikTok existed) could translate into massive theatrical numbers. The soundtrack was a curated hit-list of 2016's most emotional alt-pop, featuring Ed Sheeran and Imagine Dragons, perfectly calculated to trigger tears in a crowded theater. Sam Claflin reportedly lost a significant amount of weight to accurately portray the physical toll of Will’s condition, showing a dedication to the role that went beyond the script.
Me Before You is a beautifully shot, superbly acted drama that isn't afraid to be polarizing. It’s the kind of movie that makes you want to wear bright yellow tights and book a flight to Paris, even as you're sobbing into your sweater. While it might stumble over its own complex themes, the central performances from Clarke and Claflin make it a journey worth taking. It reminds me that sometimes, the most bold thing you can do is let someone else change your mind.
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